audioflys supernature label welcomes into the fold zev of wolf & lamb with his betta days ep. arguably 2010s hottest name, wolf & lamb has become a force of nature in electronic music with a string of cross-genre releases from their deftly curated label and amazing parties worldwide. zev, alongside w&l co-owner gadi mizhari, has become synonymous with quality and this debt ep for supernature shows why. alright is a track that sounds like little else out there but its warming vibe and clever touches make it seem nicely familiar. its folksy licks, brutal snares, chopped breaks and ethereal r&b vox are all combined with the sort of alchemic skill that has made the wolf & lamb outfit so exciting.

based in buenos aires, toomy disco (real name mariano iliuta) represents another success story in the rise of bedroom electronica in recent years. the full album and the tracks here on age of the jaguar ep were recorded entirely at marianos home with relatively basic computer software and, while he is still only 22 years old, the resulting music is every bit as compelling as contemporaneous efforts from like-minded electronic artists daft punk, mylo, mstrkrft, alan braxe and tensnake. age of the jaguar helps to cement toomys status as a leading light in the next generation.

straight from the musical hotbed of saint-petersburg in russia, we are delighted to introduce yet another exciting new talentË introducing unquote!
fans of hospital and med school will have already caught a glimpse of his scintillating and seductive electronic sounds on >the future sound of russia< and >remix your mind< eps.
if these somehow passed you by, make sure you check out his stunning debut med school single!

only for the kids is the brainchild of adrian betra blim record label manager aka scandal! rec. organizer and promoter of events and productions including vinyl ... he founded the evenings scandale! and the label and newly paramaniac evenings sassy yes! weekend! ...
this project is a real mix of meetings and artists from the electronic music scene and rock, including the creation and mixing: benjamin mathevet aka kushinbo and laura knight singer of rock band puss in boots .... the aim of the project is not necessarily to play on stage but more to create danceable disc, sharp and strongly colored with the colors of the label scandale (sexy sushi, toxic avenger, t. raumshmiere, djedjotronic, etc. ...).

denmarks most forward thinking export trentemøller announces a new single on his own -in my room- label, twisting 60s psychedelia into a modern electronic-punk beatdown, complete with remixes from none other than andrew weatherall, lulu rouge and trentemøller himself. packed with overdriven synth and guitar textures, live/processed drums and a pacy, apocalyptic vibe, the original version of the remarkable -silver surfer, ghost rider go!!!- taken from the new album ,-into the great wide yonder- is perhaps anders trentemøllers ode to some of the many other spectrums of electronic music and noise that he loves

two more missives from the leng stable, a stable basking in late afternoon sunshine the whole year round. here we have two remixes of cantoma tracks. on side a is ray mangs remix of under the stars a subtle disco groove, with a sweet rolling bass and a languid horn line that gently eases into the back of your mind, luring you into a hypnotic swirl. over on side-b lexx steps up to deliver an equally stunning take on gambara immdediately setting out a more electronic lilt, the track steadily builds into a mid tempo throb as the vocals wash over proceedings, while flute and acoustic guitar make way for each other in the melody stakes. timeless sounds on both sides evoking the summer just passed

legendary latin sexpop icon ric y martin? the chileans’ answer to menudo? or two of the most distinguished electronic musicians of our time teaming up to take an unforgettable trip through the imagination? dandy jack and ricardo villalobos need no introduction. if you’re reading this, then you already know what to expect. delicate percussive patterns. dream sequences. warm hypnosis. recorded in 1999 and excavated from the vaults for a timely release in an age of increasingly disposable music, alphahouse delivers for everyone seeking a timeless and painstakingly stylish piece of vinyl.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future – its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

the dnp14 is the 4th vinyl of the phantasma compilation series on diamonds and pearls music from berlin. it is the final of 4 split eps sharing one idea and one artwork.
the a side featuring half hawaii with a really sexy, smooth flowing and trippy track called >emperors of venus<. sammy dee and bruno pronsato show us again that their joined forces are top-notch and that their work together originates one of the most energetic minimal styled music projects available today.
on the b side you will have the pleasure to listen to a excellent new eat masterpiece. the unique fat analog sound and the continuous rising movement of eats >crown of light< reveal that there are no borders in hyper modern electronic music.the dnp 14 is the wonderful completion of the phantasma series.

after his >cosmic sandwich< remix on mbf, his legendary track >safari< and many electronic releases on the cologne label firm, andre kraml has returned with a real dancefloor burner. spiced with samples and effects he assembled through his work for cinema soundtrack production, this deep and heavy pounding piece of deep techno is a unique one.

dumb unit is proud to present the debut album from acclaimed argentinian producer seph entitled : alquimia. a core artist on dumb unit since 2006, sephs intricate, intelligent style of techno has consistently impressed fans of forward thinking electronic music. with alquimia, seph delves into worlds unexplored and expands his sublime universe of murky textures and ethereal sounds. containing a healthy dose of both dance floor and living room experiments. alquimia will quietly seep into the dark corners of your subconscious and deliver you to new and unexpected postulations.

even though youre with another girl is the amazing second single to be taken from trentemoellers stunning new album >into the great wide yonder<.after the huge reaction to the beautiful longplayer, which mixes classic trentemoeller production mastery with more of an analogue, song based, indie-feel,its time to carry on with this intriguing set of remixes.side by side comes a hot 12inch that features remixes by kollektiv turmstrasse and pantha du prince.the kollektives half of the record slaps a heavy dose of deep,dark funk into the mix, with this ingenious lo-slung version. postminimal-punk electronic drums meet warbling synths and reduced,subliminal use of the vocals in a delicate and stylish mixture of pop-meets-deepest-electronica.dials man of the hour pantha du prince creates a typically high-end remix based on his trademark twinkling melodies and warmly grooving understated beats.the dub version twists and turns with unpredictable laid-back intensity as a rousing chorus of strings and harmonic elements fuse under dubbed out vocal elements.

shake has proven himself time and time again to be one of the most original and creative producers in electronic music today. unafraid to take risks in his productions or as he calls them his failed experiments, shake has created three killer tracks for fit sound that can be called anything but failed. trackin is a bangin disco influenced house track that will smoke the dance floor. drummer downstairs is a beat track in typical shake style that mutates into something completely different and unlike anything we have heard before. frayed shows another side of shake, it is equal parts deep, melodic and dubby.

another slice of forward thinking electronic west coast dub w/a burial mix vibe w/remixes by berlins elusive suspect & ruoho ruotsi. kush arora takes a more dubstep approach, for a nice twist.

funky downbeats from kansas based electronic jazz-group monta, including remixes by lars behrenroth and greg long.

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

missing days and that ghost built the foundation for stefan goldmanns steady grip on todays state of the art in electronic music. both tracks were produced in 2001 and became the key works of his early years.

max cooper has over the last 2 years become one of the figureheads of modern composed electronic music on traum and is gaining popularity rapidly amongst those who like beautifully crafted and composed electronic music.opening with >ripple< this epic builder, heavy with bass, tripped out fx, haunting abstract vocals, spiced with teasing climaxes,this is surely another top cooper track in the making.

**includes coupon for free mp3 download of entire album**
anoraak is getting ready to drop the physical copy of his album >wherever the sun sets<. in this album anoraak includes his last single >try me< and a great track featuring sally shapiro which is sheer perfection. the whole album is chilled with disco/electronic sounds, enough variations to keep the whole album interesting, and sensuality.

fagget gairys hail from denmark, a female dj/production duo whose unique take on urban and electronic music comes from their work as artists, their experiences as fashion models and their inspired lives in india training as body coaches.
dj hell first came across >feed the horse< whilst preparing his musical mix for michalsky 2010 spring summer show. needless to say it was love at first sight, immediately making arrangements to remix and license the song to international dj gigolo records.

since the overwhelming success of his first cocoon maxi >vreugdevuur<, egbert van der gugten has proved that he received the advance praise of being one of the most promising talents of the dutch electronic music scene with good cause.

dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!

>21th century-electronic-krautrock< ist vielleicht die beste umschreibung für das album >in g<,in welchem borngräber & struver gekonnt einflusse von motoric-krauts wie neu mit den errungenschaften von minimal-techno zu ganz eigenen musikalischen aussagen kombinieren.hier wird keine trance-seligkeit oder große abfahrt ausgerufen, hier werden die wesentlichen musikalischen aussagen auf den punkt gebracht.>in g< ist ein gelungener beitrag zur geschichte des motoric-krautrocks.abwechslungsreich inspiriert schmiegen sich zum teil düstere bladerunner-atmos an feine electrobeats und fast in jedem titel obligatorische dubeffekte an uberraschende breaks.gerade hier haben die beiden gitarren, vocals und vor allem frischfreundliche blaeser so eingesetzt, daß ihre songs als begleitmusik für jede art von kopfkino bestens geeignet sind.

stanislav sevostyanikhin returns under his kontext guise with four tracks of tightest dubtech minimalism on immerse. these are his first konext productions since the impressive >dissociate< album, continuing a trajectory into widescreen dub techno and clipped, post-dubstep rhythm programming. >no more room in hell< combines the luscious atmospheres of pendle coven or bvdub with subtle glitching rhythms, while >daphnia pulex< adds glassy electronic melodies and padded subs to the equation. most interesting of all is >sattva<, rolling raga drones into his morphing dub chords and crafty future garage stabs, kinda like pole meets farben on a dusky autumnal evening. if you ever wanted a more reduced ramadanman, or a glitchier appleblim, this is well worth checking...

first on decks.de !!!a fancy franco-german remix session full of thriving techno pleasure. oui oui!
a1: rejdowak (from karaoke to stardom remix) well known french fellow from karaoke to stardom digs in the depth of electronic mystery by designing complex rhythmic sound patterns carried by, well… a pretty dominant bassline! what else do we need?
a2: rejdowak (freak de philipe vs parasit remix) light-hearted pounding techno attitude with a humorous slightly ironic touch, this implements a wise smile on the faces of true electronic music enthusiasts.
b: fm melodie in e-moll (kettenkarussell notbremsen remix) kettenkarussell from weimar manage the impossible: completely transforming >melodie in e-moll< by neal white while at the same time keeping much of its spirit. they create an elegant and gentle groove which smoothly seem to transform into a hip-hop beat. well, thats not the end of the story! experimental and extraordinary.

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

celebrating its tenth release culprit welcomes another extremely exciting and upwardly mobile young american producer to its fold, m a n i k. born and raised in nyc, and with an accent to match. 2010 has been a break out year for this 24 yr old with his own original material appearing on some of the best underground electronic labels including josh winks ovum, poker flat, four:twenty and chicagos very own fresh meat – run by legendary audio soul project. as a dj and producer its impossible to put m a n i k in any one box. graduating from school in 2007 with a degree in music business, he is not by any means your typical artist. being heavily inspired by a diverse and comprehensive musical background, his style is a unique blend of cutting edge house, futuristic techno and deep, classic old school grooves, along with dark & edgy sounds. from the deep and groovy mclovin you to the old school techno feel of crooklyn this is a great four track ep, that further cements culprits burgeoning status as a cutting edge new label

after a lengthy break from the electronic music world, genotype is back with an lp for exit records and provides a lesson in stripped back dub influenced music at approximately 170 bpm. having started his music career in the mid nineties under the legendary alias just jungle, with releases on the massively influential labels of that era such as trouble on vinyl, renegade hardware and reinforced records, its no surprise that he has managed to capture the essence of rawness in his recent music akin to the early years of jungle. many producers have tried and failed to bring back the old skool sound with an original flavor but genotype has managed this by resisting the temptation to lash in the tired old classic breaks and instead has drawn for the more organic sounding percussion and drum kits. the dubbed out theme runs throughout the album paying homage to his love for west indian music which he has been involved in for many years and naturally influences the music he creates. genotype is a man of few words and prefers to let his music do the talking so check out the album and draw your own conclusions.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched. although a global success story, it played an interesting role especially in the german experience. lp comes in gatefold sleeve.

the newborn record label studio barnhus is the love child of axel boman, petter nordkvist and kornél kovács, three fine young gentlemen who in 2009 ended up sharing a studio space in downtown stockholm. studio barnhus is exploring the outskirts of electronic dancemusic, but also sharing a passion for hedonistic dancefloor madness. on this first release tracks from the trio which represent them in the best possible way. forward thinking dance tracks that bring joy to the dancefloor! studio barnhus presents 4 exciting and fresh house tracks that already created a stir on several dancefloors! we could do a lot of name dropping here and tell why we like it so much... but lets not do to much talking... listen to the tracks yourself!

21th episode of soul access coming from portuguese guy dj link, owner of amigos recordings, porto based techno label.dj link (portugal) is one of the leading dj/producer on the portuguese electronic music scene and one of the top techno djs in european scene. by delivering upbeat techno and amazing musical experiences, dj link wows dance floors with every set.

since first bursting on to the electronic scene, british-japanese 22 year old, maya janes coles has quickly established herself as one of the most respected cutting edge producers in london today. her previous releases have earned her support from the likes of steve bug, anja schneider, audiofly, laurent garnier to name a few. supported by laurent garnier, ivan smagghe, deetron, black coffee, djulz, and.id, sascha dive, jimpster, dj gregory, dj deep, rocco, marlon d, melon, aaron ross, ralf gum, manoo

first release by new label apersonal music. project created by andres vegas and maurice aymard, who challenge the current music business crisis by joining the list of adventurers who releases on vinyl during times of retreat. the label is intended to publish music that points back toward the classic sounds of electronic music, the eternal sound. for the ever loved and well remembered 001 they sign producer trujillo. a pioneer of the electronic music scene on his country venezuela, also native land of the label heads. the single runs at 110bpm with a retrospective feeling, built by melodic synths, low bass and provocative voices. “baby you’re still the same” a slow burner that takes you on a journey of inspiration

two true heroes of underground electronic music, alex flatner & lopazz step up the game with this brand new outing on poker flat. the original version of >dinosaurs< is a pacy, energetic jam with a super-solid bass foundation. tracky, urgent and of course wonderfully produced, it harks back to the trippy, percussive sound worlds of classic poker flat releases from the likes of guido schneider. paul woolford hands in his >mannheim< remix, which takes a freaky, percussive edge and steps up the energy even further in this amazing workout.

beretta grey proudly brings to you the >finite ep< by the talented new producer hailing from san francisco, christina chatfield. christina chatfield was raised in a family of classical musicians, geographically and culturally located between the warm jacking beats of chicago house and cool soulful stabs of detroit techno. espousing her genetically rooted appreciation for music, christina attended the berklee college of music in boston where she quickly absorbed every detail of electronic synthesis and began her analog hardware and studio gear addiction. with the >finite ep< on beretta grey, christina has created two timeless pieces of music that are sure to please intelligent dance floor goers around the planet.

>tuff enuff?< sounds just the way an affirmative answer to the titular question should: lean and muscular, with sinewy bass flexing its way straight through. its a song full of robust underpinnings and carefully placed counterbalances: synths that lustrously shimmer and slowly dissipate, keys that sparkle faintly at the quietest moments. the first single on from the cradle to the rave, the debut album from shit robot – aka marcus lambkin, aka >the godfather of dfa< – is a perfectly executed composition in >homage to chicago house, kraftwerk and gay electronic disco.< the b-side features a wild geese remix of >i found love<, another stellar track from lambkins debut. in the capable hands of djs dan foat and frank tope, the laidback original

welcome back fairmont!
born in the precious year of punk rock 1977, the toronto based artist has always clung with his heart to the likes of the stooges, t. rex, spacemen 3 and so for us it is no surprise that jake makes a tight connection here also with his alias fairmont. fairmont is considered the semi-famous soft side project of producer jake fairley which has become more and more famous over the years. again jake shows a great insight of electronic music and makes this ep a gripping journey.

kondens is a collaboration between swedish electronic music veterans andreas tilliander (mille plateaux/force inc, raster-noton and repeatle) and stefan thor aka folie (mitek). the sound is a hybrid of techy dubstep with a twist and banging dub-influenced techno. pure peak time bliss without losing the love for dub and tape delays. the vinyl debut, first cut ep, includes a stunning deep techno remix signed norman nodge.

9am is the new brainchild of gaffy and paris collective! a group of artists who are set to take the world of electronic music by storm with their organic and uniquely creative work. gaffy, an accomplished pianist since his youth, and an artist whose passion for hardware and synthesizers has lead to him creating some of the most exciting music set to come out of france over the coming months. as a dj, gaffy has travelled europe playing some of the finest floors from paris to ibiza, london and beyond.

hailed as the rightful heirs to the likes of underworld, leftfield, the chemical brothers and orbital, decky, gary and galos debut album >we just are< attracted huge critical acclaim (eg >literally amazing<, >the most exciting new electronic act on the planet<, >f**king amazing<) and led to them performing their stunning live sets at glastonbury, ultra festival, fabric, rockness, fuji rock and planet love among many others. this summer’s festivals include bestival, creamfields, parklife, electric picnic and rockness.
new single >destroy< features vocals by jon spencer (of the blues explosion), the single paves the way for the bands second album.

whether hes producing singalong house anthems (la mezcla) or hard edged tech house (red tape), michel cleis obsession with sound has seen him garner a reputation as one of electronic musics most exciting production forces. with recent remixes such as tracey thorns >why does the wind?< and harrison crumps >deep down inside< still rocking dance floors aplenty, cleis next solo move has understandably been an eagerly anticipated one.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

mr white returns with a 3 track special. this is the follow up to the sun cant compare, the 2007 highlight - and once again this does not let you down. back with his mentor larry heard who brings the best out of the uplifting vocalist. side a - aeroplane lifts and drives on this tech-house journey. on the flip heard treats use to his deep world of house - larry at his best with mr whites twisted vocals on inside your mined. they round off the ep with you dont answer - a cross over tack of pure electronic pop simplicity.

geography records is a new vinyl only label based in malmö sweden that focuses on the deeper sides of electronic music. the tagline for the label is mapping deep sounds of the world.
the first release is done by shakarchi & stranéus, two very talented guys from gothenburg, sweden.

fresh relreleased ... phat funky techno / techhouse action kitchen studio 3 is a small, newborn techno/electronica label, founded on the friendship between pezzo, adaig and bettyboop and their deep passion for electronic music and club life.

the >captain deutschland serie continues on the vinyl only format and is limited to 300 copies, all hand numbered.
dandy jack is well known for his multiple collaborations. its now about time to lay them down on wax.
the second chapter is a honest, loud and direct ode to the joy of queen bass. if you are searching for deep house and abstract minimal you should better pass your way.
dandy jack teams up with geneva fellows lad and quenum on the a side for what could be described as a tremendous and heavy ride into the catacombs of techno. sonja moonear has a slightly happier and smoother answer on the b side and challenges us with a long and percussive intro that leads into a melancholic twist. quenum and lad arent new to the electronic music and have been active over a decade. they have already been working together for labels like num and thema. sonja is dandys partner in crime as junction sm and ruta5s half head.

murmur has become a gem in the stone path of electronic music labels, a consistent voice of quality through their series of vinyl and global events. no fit state is a vinyl sampler for the label, bringing together some gifted artists and insightful music to celebrate the label s journey. claire ripley opens the package with a solomun remix of slow loris , released earlier this summer on timorous ep. best known for releases on steve bug s dessous recordings, claire is an undeniable talent with flair for getting the feet moving. solomun pulls the trigger with his remix in a capricious whirlwind track setting the skies alight with energy. label head geddes pairs up for another collaboration with the skilled young australian, mic newman, after big releases on the tsuba label as well as murmur. rework is available on digital only release, a rattling snake of a record alive with chords and softly spoken calls.

murmur return with a brace of killers, their first new material since mean 011s split release with bovill back in 2008. over the course of the half dozen years since beginning their meanwhile imprint, murmurs output has been so sparing, evanescent, and epitomising the labels low-key approach to steppers house music and horizontal techno with an implicit electronic beatdown sound, that acknowledges their pitched down sound, so heavily influenced by their early south african adventures and exploits.

like >the final breaths of a game boy caught in the reeds and burbling under the waters< (nme), luke abbotts >holkham drones< has been making waves in all of the right places, and now as it finally drops in your record store of choice, the ripple effect begins to spread out across the world. >holkham drones< looks set to catapult luke from his provincial norfolk outpost of the uks burgeoning electronic underground straight into critics end-of-year best-of lists, in one fell swoop.